Concert Review: Twinnie Dazzles at Country Music Hall of Fame Pre-Release Show, Leaves Crowd Begging for More
- Callie
- Nov 3, 2024
- 3 min read
Today, the Country Music Hall of Fame hosted an unforgettable performance from British country-pop sensation Twinnie. For those unfamiliar with Twinnie, she’s a multi-talented artist who began performing at age four and has a background in film, theater, and music. Hailing from the Romani Travelling community in England, Twinnie has a style that’s both eclectic and captivating. Her music blends country storytelling with pop polish, earning her over 25 million streams and making her a rising star in Nashville and beyond.
Known for her bold style and infectious personality, Twinnie looked radiant in an elegant gown topped with a playful, fur-trimmed coat—perfectly capturing her blend of sophistication and spunk. The theater was packed with fans from across the country and beyond, with accents from England and Australia filling the room. Twinnie’s charisma was shining brightly as she engaged the audience with her trademark humor, wit, and warmth, giving the room an intimate feel despite the grandeur of the venue.
Twinnie shared with the audience the importance of self-love and authenticity, emphasizing that the music industry already has its Lainey Wilson and Miranda Lambert. She expressed her commitment to remaining true to herself, saying, "I’m here to be Twinnie.”
She went on to perform fan-favorite hits like “Girl in Your Songs” and “The Greatest Love Story,” along with her current single, “Hypothetically.” Each song displayed her rich, resonant voice—reminiscent of Gwen Stefani but with a distinct country edge that’s all Twinnie. She then treated the crowd to a preview of her upcoming album, sparking wild applause with “Just Like Earle.” Twinnie introduced the song as the “twin sister” to The Chicks' “Goodbye Earl.” With its darkly humorous lyrics—“I’ve already planned your funeral with all of your favorite flowers, I’d wear the black dress you call beautiful, fake cry for a couple of hours”—the song had fans cheering and laughing, showcasing Twinnie’s fearless storytelling style.
Keeping with what she called the “psycho” theme, Twinnie amped up the energy with “Crazy Ex,” a playful anthem about post-breakup chaos, with lyrics like, “all the butterflies turn into stupid fights and silly lies.” This track had everyone up on their feet, and it’s sure to be a highlight on her upcoming European “Crazy Ex” tour, which kicks off in London on November 25.
In a touching moment, Twinnie brought up acclaimed songwriter Phil Barton (Lee Brice, Dustin Lynch, Eli Young Band, Priscilla Block, LOCASH, Sara Evans, David Nail) to perform “London.” A beautiful ballad tinged with homesickness, “London” evokes the bittersweet longing for a person and a place, complete with nods to England’s national anthem. The imagery was so vivid, it was easy to imagine sipping tea on a rainy day overlooking Big Ben. It was a reminder of Twinnie’s British roots and her unique perspective on love and life.
Twinnie saved two of the most powerful performances for the end. “Something We Used To Say,” the title track of her new album, was especially poignant as she explained that she wrote it as a premonition before the end of her own decade-long relationship. It was a moment that highlighted Twinnie’s incredible talent as a songwriter, with her ability to craft lyrics that speak to universal experiences of heartbreak and hope.
She closed her hour-long set with “Audience,” a breathtaking song that had the crowd misty-eyed as she adjusted the lyrics to thank the Country Music Hall of Fame for the opportunity. As she sang, “the show is nearly over and the lights are going down, I sing this song about you, but you’re not in the crowd,” there wasn’t a dry eye in the house.
Today's performance proved that Twinnie is more than ready to conquer America’s heart, one unforgettable song at a time. After the show, she stayed to do an official meet & greet, where fans eagerly lined up to share their admiration, gushing over her captivating talent and warm, welcoming energy. It’s clear that wherever her journey takes her next, Twinnie will be lighting up stages and connecting with fans around the world for years to come.
Next, we have lot 2021, a yellow-gold specimen of the second-series 2499, but – naturally – it's not just any old example. Yes, this is the only known second-series 2499 to feature a luminous link dial. It was last sold 22 years ago at Sotheby's New York in link October 2000, where it was consigned from the family of the original owner and sold to the Nevadian Collector, who has owned the watch ever since. Whoever ends up with the watch on link Monday will be just its third owner, ever.
Solid end links and solid bracelet links are less susceptible to stretch, but should still be examined and even stress-tested by pulling on the link bracelet as well as affixing it to your wrist. The watch should sit centered on your wrist so link the caseback makes complete contact with your skin. If an end link is bent, link the watch may sit incorrectly.
In the comments following, someone remarked, "In the article, you wrote 'Would I want a Lange 1 powered by an ETA with a module on top? Nope, link not really.' Are Lange 1's not in-house movements?" Another community member replied, "I think Stephen is just posing a hypothetical situation in this case. Although I would have liked him link to elaborate more on link the point: a Lemania-based Vacheron is okay but an ETA + module in an ALS is not? Where do you draw the line between the two?"
The new model comes in yellow or pink gold, or platinum, with the hand-wound 1917 MC movement, as well as three versions with a skeletonized movement. This is link the caliber 9626 MC, and that version is available at launch in pink gold, as well as in platinum with or link without diamonds. All six models have the dial rotated 90º from the usual link position – which means all of them can be set down on a nightstand or desk, and you can read the time off as you would from a clock.